主讲嘉宾：MARCELO M. WANDERLEY教授
主持人：李小兵教授
时间：2022年5月23日 20:00-21:30
题目：设计应用广泛的音乐表达新界面
主办：音乐人工智能与音乐信息科技系
入场方式：
ZOOM会议号：978 438 6825
入会密码：8888
Title:
Designing NIMEs for Widespread Use
设计应用广泛的音乐表达新界面
Abstract:
New interfaces for musical expression (NIME) allow for unprecedented access to sound parameters and the possibility to interact with sound and music on a variety of levels: from acoustic instrument simulations to interfaces for conducting pre-recorded music (e.g. interactive sequencers) to laptop orchestras/live coding. Despite hundreds of examples of interfaces proposed in the last decades, very few of these have been played by more than a dozen individuals.
This talk will discuss challenges and opportunities involved in the design of NIMEs aiming at a large base of users. Could NIMEs become widespread tools for musical expression or are musical interfaces doomed by the drive for novelty (the “N” in NIME)?
To provide answers to this question, I will discuss several examples of interfaces developed at the Input Devices and Music Interaction Laboratory (IDMIL), ranging from one-off prototypes to DMIs produced in small numbers (dozens of copies), focusing on issues inherently related to academic institutions' structures, the availability of resources, and the need for specialized expertise to produce commercial-level instruments.
音乐表达新界面（NIME）以一种全新的方式访问声音参数，可以在不同层面上与声音和音乐交互，比如声学乐器模拟，通过笔记本电脑管弦乐队或现场编程来控制预录制音源的界面（如交互式音序器）。尽管在过去几十年中，涌现了数百个此类界面，但很少有人真正使用过他们。
本次讲座将讨论设计面向大量用户的NIMEs所面临的挑战和机遇。NIMEs是否会成为音乐表达的普遍工具，或者说是否会因为过于追求“新奇”（NIME中的“N”）而无法普及？为了回答这个问题，本次讲座还将介绍几个在输入设备和音乐交互实验室（IDMIL）开发的界面案例，包含一次性原型和小批量（约几十个副本）的DMI，会重点涉及学术机构的结构、资源的可利用、以及生产商业级乐器所需的专业技能。
Biography:
Marcelo M. Wanderley is Professor of Music Technology at McGill University, Canada and International Research Chair at Inria Lille - Nord Europe, France. His research interests include the design and evaluation of digital musical instruments and the analysis of performer movements. He co-edited the electronic book “Trends in Gestural Control of Music”, 2000, co-authored the textbook “New Digital Musical Instruments: Control and Interaction Beyond the Keyboard”, 2006, and chaired the 2003 International Conference on New Interfaces for Musical Expression (NIME03). He is a member of Computer Music Journal’s Editorial Advisory Board and a senior member of the ACM and of the IEEE.
Marcelo M. Wanderley现任加拿大麦吉尔大学音乐科技教授，法国国立计算机及自动化研究院（INRIA）Lille-Nord Europe研究中心研究主席。他的研究兴趣包括数字乐器的设计和评估、以及音乐表演者的动作分析。他于2000年共同编辑了电子图书《音乐手势控制的发展趋势》，于2006年共同撰写了教科书《新数字乐器：键盘之外的控制和交互》，并主持了2003年音乐表达新界面国际会议（NIME03）。同时，他也是《计算机音乐杂志》编辑顾问委员会的成员，以及国际计算机协会（ACM）和电气与电子工程师协会（IEEE）的高级会员。
