Bi Yixin, PhD candidate of Department of Musicology, Central Conservatory of Music, Beijing, China
Music, Diplomacy and Mentality - A Research on the British Macartney Mission Visited China during the Period of Qianlong Emperor
Xavier Bouvier, Haute Ecole de la Musique, Geneva, Switzerland
Suite Chinoise: a rediscovered piece for violin and piano from the Republican period
Stewart Carter, Dept. of Music, Wake Forest University, Winston- Salem, USA
From Tang to Former Shu to Later Shu: Emulation and Contrast in Court Music Ensembles of Tenth-Century China
Lenka Chaloupková, PhD candidate, Department of East Asian Studies, Charles University, Prague, Czech Republic
Back to the Eastern roots? Impressionist Music and Its Path to China
Stella Chan, University of California, Riverside, USA
Rethinking “Chinese”: The Cantonese Opera in Cuba
Anna Cvrčková, Mgr. student, Dept of Theatre Studies, Charles University, Prague, Czech Republic
Dana Kalvodova and Her Research of Sichuan Opera
Du Yongfei, Martin-Luther-University Halle-Wittenberg, Germany
Serious Versus Popular: New Choral Music and Mandopop in Contemporary China
Johannes Grosz, Berlin, Germany
The Written Word, Taboo and the Inevitability of Music
Huang, Yu-Han, Taipei National University of the Arts, Taipei, China
Exploring Oceans, Expressing Emotions: A Case Study on Relationships Between Music and Emotions
Kim Hunter Gordon, Assistant Professor of Chinese and Performance Studies, Duke Kunshan University, China
Rules made to be broken; articulating tones in kunqu
Catherine Ingram, Lecturer in Ethnomusicology, Sydney Conservatorium of Music, The University of Sydney, Australia
Songs of home: A musical meeting of Kam (Dong) and Indigenous Australian singers in Sydney, Australia
Henry Jacobs, PhD cand., Oxford-Ko Cheuk Hung Scholar at The University of Oxford, England UK
'Music Has Neither Sorrow nor Joy': Musical Ontologies and Political Meaning in the Writings of Ji Kang 嵇康
Marianne Løkke Jakobsen, Director, Music Confucius Institute, Royal Danish Academy of Music, Copenhagen, Denmark
Artistic Cooperation in Bridging two Continents and jointly bring it into the future music world
Stephen Jones, School of Music, Brigham Young University, Provo UT, USA
“Today we will perform some experimental works”: The December 1947 Concert of Folk Songs and Compositions given by Tan Xiaolin and His Students in the Context of Shanghai’s Pre- liberation Musical Culture
Gwendoline Cho-ning Kam, Independent Scholar
Sounding Ancient China: Kunqu Luogu as Cultural Negotiator
Joseph S. Kaminski, Ph.D. The College of Staten Island of the City University of New York, USA
The Beijing Sunshine Concert Band and its Traditional to Modern Repertoires for Retirees
Adam Kielman, Department of Music, The Chinese University of Hong Kong, China
Dubbing Cultures: Articulations of Yuanshengtai (“Original Ecology”), Indigeneity, and Blackness in Yunnan Reggae Dub
Bernard Kleikamp, PAN Records, leiden, The Netherlands
The lineage and innovations of the Zhou Family of suona players
Ming-yen Lee, Graduate School of Arts and Humanities Instruction, National Taiwan University of Arts, China
Music Making in the Chinese Periphery:Hong Kong Chinese Orchestra during the British Colonial Era, 1977-1997
Jeffrey Levenberg, Assistant Professor of Music, Chinese University of Hong Kong, China
Re-Envisioning Yilan and Youlan: Modern Scientific Discovery and the Interpretation of Two Guqin Classics
Liu Lu, Sydney Conservatory of Music, Australia
A discussion of the processes involved in creating a new cross- cultural pipa composition: “Hectic Peppermint”
Luo Mengyu, University of Shanghai for Science and Technology, China
Conflicts and Convergences of China’s Rainbow Chamber Singers
François Picard, Université Paris-Sorbonne, Paris, France
From 17 to 37: The Number of Sheng Tubes as a Contrasting Factor
Edwin Porras, Ethnomusicology Dept, UCLA, Los Angeles, USA
Cantonese Opera and the Lion Dance in Cuba: Different Social Spheres and Distinct Ways of Life in Diaspora
Nancy Yunhwa Rao, Dept of Music, Rutgers University, New Brunswick, USA
Contemporary Chinese Composers in New York City: the New York Times Perspective
Helen Rees, Ethnomusicology Department, University of California Los Angeles, USA
Sounds of Late Qing Yunnan through European Eyes and Ears
Jeff Roberts, Assistant Professor of East Asian Music and Culture, Department of East Asian Studies, University of Alberta, USA
Representing Nature in Guqin Composition and Improvisation: Sensor-controlled Guqin Resonance and New Techniques in Nature Mimicry
John O. Robison, Professor of Musicology, University of South Florida, USA
Wang Xilin, the Sino-Japanese War, and Symphony no. 9
Avital H. Rom, Faculty of Asian and Middle Eastern Studies, University of Cambridge, England UK
To the Edge of Sound: Contrasts in Early Chinese Musical Thought
Kevin Conrad Schoenberger, Dept Chinese Culture, Hong Kong Polytechnic University, China
Singing Writing and Singing Speech: The Influence of Literary and Vernacular Diction on Late Imperial Chinese Music
Schröder, L. Odila, Phd cand., Nottingham University, England UK
Treasonous Repertoires: Private and State-Sanctioned Concert Life in Wartime Beijing (1937-1945)
Francesco Serratore, Postdoctoral research fellow, Shanghai Conservatory of Music, Shanghai, China
The absence of Wenzhou guci within the musical practices of the Chinese community in Milan: Generational gap or “transnational identity”?
Enio de Souza, Instituto de Etnomusicologia, Centro de Estudos em Música e Dança/Universidade Nova de Lisboa | Centro Científico e Cultural de Macau, Lisboa, Portugal
Chinese Music in Portugal 1980-2019: a striking increase
Anna Stecher, LMU Munich, Institute of Sinology, Germany
[POSTER] Mapping Lu-Xun-Plays from 20th to 21st Century China
Andreas Steen, Institute of China Studies, School of Culture and Society, Aarhus University, Aarhus, Denmark
Recording China, Chinese Records: Motivation, Business and the Limits of Cultural Exchange (1902-1914)
Alan R. Thrasher, University of British Columbia, Canada
Ruyue 儒樂: Northern and Southern Symbology
Alison Tokita (Monash University / Kyoto City University of Arts) et al, Japan
Panel: Folk Song and the Development of Chinese Art Song in the early twentieth century
[involves presentations by Alison Tokita, Lin-Yu Liou and Diau- Long Shen]
Tsai Tsan-Huang, College of Music and Dance, Quanzhou Normal University, China, with
LAU, Sze-wing Joyce, Vienna Boys Choir Music Academy Hong Kong, China
Sounding Treasures: The Reconstruction of the Sound of 1960s/ 70s Cantonese Music
Tse Chun Yan, Music Department, The Chinese University of Hong Kong, China, Wong Chun Fung Independent scholar
Music of the Qin: Freedom in Metrical Structure and Freedom in the Literati's Mind
Efrat Urbach, Bar Ilan University, Israel
Noam Urbach, Haifa University, Israel
Chinese Church Chimes: The Case of Amiot’s Ave Maria as Exemplar of Jesuit Musical Missionary Efforts
Rachel C. Walker, Tsinghua University, Beijing, China
Contrasts and Recursion in New Music for Nanyin Instruments
Wang Ling, Yunnan University, Kunming, China
A Comparative Study of the Possible Creators of the Images of Dance in Cangyuan Cliff Paintings in China
Marnix Wells, PhD (SOAS), London, England UK
Long and Short in Rhythms of Classic Chinese Music
John Winzenburg, Hong Kong Baptist University, Hong Kong, China
Mandarin and Cantonese Bel Canto: Regional, National, and International Performance Practices in Chinese Choral Music
Wu Zeyuan, PhD candidate, Department of East Asian Languages and Literatures, Ohio State University, USA
Revisiting the Literati-versus-Professionals Framework in Late Imperial Qin Culture
Xia Jing, Memorial University of Newfoundland, Canada
Traversing Cultures: Zheng Music in China and North America
Yuan Xiaorong (Heidi Yuan)， Ethnomusicology Ph.D. student at UCLA, Los Angeles, USA
Music of the Chinese Communities in Bangkok, Thailand
Zhang Jingyi, PhD student in musicology, Harvard University, Cambridge, Mass., USA
Bright Sheng's Dream of the Red Chamber (2016): A Chinese Musical Commentary in the Twenty-First Century
Zheng Yan (Linda Zheng), School of Music, East China Normal University, China
Between Reason and Sensibility: A Study of Process and Gesture in JIA Guoping’s Whispers of a gentle wind
ZHOU Jing, PhD in musicology at The University of Hong Kong, China
Hearing Music Politically in the Tang Dynasty: The Contrasts in the Reception of Three Central Asian Performances
