梁发勇，教授、博士生导师；现任作曲技术理论教研室副主任、中国音乐家协会作曲与作曲理论学会理事、中国文艺评论中央音乐学院基地成员。1999年本科毕业于山东师范大学音乐系并留校任作曲与作曲技术理论教师；2006年、2013年研究生毕业于中央音乐学院作曲系，先后获复调硕士、博士学位，师从音乐理论家、教育家、作曲家于苏贤先生。2006年于烟台大学工作，曾任烟台大学音乐舞蹈学院副院长（2013年-2017年），2017年于天津音乐学院工作，任作曲系副主任（2017年-2020年）。2021年于中央音乐学院作曲系工作至今。
一、教学及教研：自1999年始一直从事作曲与作曲技术理论教学工作。现主要从事专业复调、共同课复调、电子音乐相关专业的作曲副科教学及研究生教学工作。在专业复调教学中注重与创作实践联系，曾指导所教班级举办复调结业教学实践音乐会两场；在共同课复调教学中注重与学生专业相结合；在作曲教学及研究生主科教学中注重发挥学生的潜能特长，同时注重学生的创作实践及学术科研能力，指导学生在国内外作曲比赛中获奖十余项，指导学生发表、获奖及参会论文五篇。
在教研方面，参编普通高等教育“十一五”国家级规划教材《音乐技法综合分析教程》；独立编写教材《复调音乐写作基础与分析教程》并获2023年北京高校优质本科教材重点项目；在《中央音乐学院学报》《中国音乐教育》等刊物发表教研论文四篇。
二、学术研究：出版专著《戈登维捷尔钢琴复调曲集<对位练习>研究》《卡普斯汀钢琴复调套曲研究》。主持及参加各级课题近十项，2022年度国家社科基金重大项目《音乐创作“中国性”研究》课题组成员。至今在《音乐艺术》《星海音乐学院学报》《天津音乐学院学报》《乐府新声》等刊物发表学术论文以及在《人民音乐》《歌剧》《钢琴艺术》《音乐生活》等刊物发表文章共计二十余篇。
三、音乐创作：大学期间就有两首声乐作品获得省级比赛创作奖项，至今在《音乐创作》等出版物发表以及获奖作品四十余首（部）。举办以复调作品为主的个人作品音乐会一场；获山东省高校音乐基本功大赛原创作品一等奖；参与主创大型原创歌舞史诗《烽火胶东》；二重唱作品入围火箭军政治工作部宣传局主办的“我为火箭军写战歌”——砺剑战歌征集活动；在新时代弘扬焦裕禄精神原创词曲评选中获优秀作曲奖等等。
Professor Liang Fayong is doctoral tutor of China Central Conservatory of Music (CCOM) , and also the deputy director of CCOM Composition and Theory Teaching and Research Institute, council member of the Composition and Composition Theory Branch of the China Musicians Association. In addition, he also serves the Chinese Literary and Art Criticism CCOM base.
Education
Mr. Liang graduated with a bachelor's degree from the Music Department of Shandong Normal University in 1999 and then employed by the department as a teacher of composition and composition theory. He earned his master's degree in 2006 and his doctoral degree in 2013 from CCOM Composition Department, where he studied with Mr. Yu Suxian, a renowned music theorist, educator, and composer in China.
Career
From 2006, Prof. Liang worked for Yantai University, and from 2013 to 2017 he was employed as the deputy dean of the College of Music and Dance. From 2017 to 2020, he worked for Tianjin Conservatory of Music as deputy director of the Composition Department, and from 2021 till now he has been working at CCOM Composition Department.
Teaching and Teaching Research
Since 1999, Mr. Liang has been engaged in teaching composition and composition theory. He currently is engaged in professional counterpoint, general counterpoint, and electronic music-related composition courses, as well as graduate teaching.
In his professional counterpoint teaching, he emphasizes the connection with creative practice, having guided his classes to hold two graduation concerts showcasing counterpoint works. In general counterpoint teaching, he tailors his approach to align with students' majors. In composition and graduate teaching, he focuses on nurturing students' potential and strengths, emphasizing creative practice and academic research capabilities.
Under Mr. Liang’s guidance, his students had won over ten awards in domestic and international composition competitions, and had published essays in academic journals, and some of them won awards.
In education research area, he co-edited Comprehensive Analysis of Music Techniques under China "11th National Five-Year Plan" textbook program, and finished the textbook Fundamentals and Analysis of Counterpoint Writing, which was selected as a key project for high-quality undergraduate textbooks in Beijing in 2023. He has published four teaching research papers in The Journal of the Central Conservatory of Music and Chinese Music Education and other publications.
Academic Research
Liang has published monographs such as A Study of Gordon Weitzel's Piano Counterpoint Collection (Counterpoint Exercises) and A Study of Kapustin's Piano Counterpoint Suites. He has led and participated in nearly ten research projects at various levels and is a member of the 2022 National Social Science Fund Major Project, such as Research on the "Chinese Character" in Music Composition. To date, he has published over twenty academic papers in journals, including Music Art, Journal of Xinghai Conservatory of Music, Journal of Tianjin Conservatory of Music, Yuefu New Voices, as well as articles in People's Music, Opera, Piano Art*, and Music Life.
Music Composition
During his university years, Liang won provincial composition awards for two vocal works. To date, he has published and won awards for over forty compositions in Music Composition and other professional publications. He has held a personal concert featuring primarily counterpoint works and won first prize in the original composition category at the Shandong Provincial College Music Skills Competition.
He participated as a lead composer in the large-scale original song and dance epic Glory of Jiaodong. A duet he composed was shortlisted in the I Write Battle Songs for the Rocket Force campaign organized by the Political Work Department of the China Military Rocket Force. He also received an outstanding composition award in the original songwriting selection for promoting the spirit of Jiao Yulu.
