王晔
中央音乐学院作曲系教授 研究生导师
留德学者
Wang Ye
Professor, graduate student supervisor of the Composition Department of the Central Conservatory of Music (CCOM); scholar studied in Germany.
1990年起，先后就读于中央音乐学院附中、大学、德国罗斯托克音乐与戏剧学院，现任中央音乐学院作曲系视唱练耳教研室副主任。
Since 1990, Ms. Wang has studied successively in CCOM Middle School, CCOM and the Hochschule für Musik und Theater Rostock. Now she serves as the Deputy Director of the musicianship and aural skills section of the Composition Department of CCOM.
多年来专注于青少年音乐人才的培养，对少年儿童拔尖专业人才的基础课教学有丰富经验。目前教授中央音乐学院附中、本科、研究生各阶段的视唱练耳、乐理课程。曾长期负责学院艺术实践管理工作，组织、策划过上千场音乐会。
Over the years, Ms. Wang has been focusing on the cultivation of young music talents, and has accumulated rich experience in teaching fundamental courses for top talented teenagers majoring in music. She now teaches solfeggio and musical theory for the students in CCOM Middle School as well undergraduate and graduate students in CCOM. She has been in charge of the artistic practice management in CCOM over a long period of time, where she has organized and planned thousands of concerts.
专项研究“中国调式视唱练耳”，2020年获评中央音乐学院重大科研项目；同年获评教育部哲学社科重大专项“党的创新理论引领贯穿音乐学知识体系研究——中国底色的音乐教材体系”。专著《中国调式视唱练耳教材》，2021年获得中央音乐学院科研图书出版资助。
She is engaged in the research on "Solfeggio of Chinese Mode" which has been judged to be one of the major CCOM scientific research projects in 2020; and in the same year, the “Research of the Innovative CPC Theory Guidance Through the Musicology System —— Music Teaching Materials System with Chinese Social Background”was awarded one of the major philosophy and social science projects launched by the Ministry of Education, PRC. The publishing of her book Teaching Materials for Chinese Mode Solfeggio was funded by CCOM scientific research book fund in 2021.
2009年为附中学生创办“少年的歌唱”视唱音乐会系列，举办过“舒伯特
艺术歌曲”“法国艺术歌曲”“歌剧咏叹调”“音乐剧作品”“多声部作品”等专题。举办过 “记谱法与演奏法”“调式音阶与调式分析”“装饰音”“中国七声音阶的几个问题”等专题乐理讲座。2019年4月，在国家大剧院资料中心举办 “钢琴之王李斯特”专题讲座。
Ms. Wang founded Junior's Songs" sight singing concert series in 2009 for the students of the CCOM Middle School, and organized many concerts such as "Schubert Art Songs", “French Art Songs”, “Opera Arias”, “Musicals” and "Multi-voice Works" etc. She held many music theory lectures as well, including "Notation and Performance Method", “Mode Tone Scale and Mode Analysis”, “Ornaments”, “Several Questions about Heptachord in Chinese Music” and so on. In April 2019, she held the lecture“Liszt, King of Piano” at the archive and data center in the National Centre for the Performing Arts.
